The Bench Project was a huge success! Sold out house, +7 additional seats that were added. Look for yourself. Admission was free if you brought a book to donate to The East Bay Children’s Book Project.
The day started out in earnest, a good homemade meal. In this case, I was able to scrounge up the last of the corned beef my parents brought from American Samoa (in my opinion, the best corned beef -originally from New Zealand). It isn’t mushy, but meaty and chunky.
It would be ultimately be the only heavy meal I end up having all day.
I spent some time reviewing my lines. I don’t know if this happens to other actors (I assume yes) but, there’s always point when you’ve recited your lines so much that you start to second guess yourself, hah! Chime in if that’s ever happened to you.
Before arriving for call -I was joined by Holly, a friend and intern at TheatreWorks. The trip to Palo Alto was pleasant enough. Apparently some soccer player named David Beckham was in town playing the Earthquakes (Galaxy lost, heh)
We had a chance to run through the show just before opening the doors to the public. Here’s where I wish I had a clone who could stand around snapping photos because I left wishing I had more! Instead, I’ll share one of the most important things I’ve observed coming out of this project:
Acting and Directing, are two different skill sets. But through the process, I’ve come to value how they help each other –never has it been more clear to me that the two skills inform each other. I see, through directing, alternate methods of communicating the story and ways to pull a performance out of an actor. One of the most important things I’ve learned is to, clearly establish, that the actor has permission to go out there -to put themselves on a limb. Permission, it’s a powerful thing.
As an actor, I’m beginning to really feel how much acting is a muscle. The more it’s worked out -the more you’re going to get out of it. It’s so much more than memorizing lines and knowing where to move. It’s about allowing yourself to be affected. Affected by your scene partner, the words, the lights, the itch on your head…everything.
I received an incredibly generous comment from an audience member last night. I’m not sharing it to boast, but to reaffirm my direction. She comes up to me, a bright smile on her face, “You were my favorite! That was wonderful -you were absolutely natural! I had to remind myself it was a play.” Wow…Thank you! In all fairness, everyone, I felt, did splendid work. Shout out to Jonathan Amores, our director for A SIMPLE LIFE, who was not able to attend. Thanks for your guidance!
I want to take this time to applaud my fellow cast mates, from both the piece I was in and to everyone involved -you all sounded terrific (having eavesdropped from backstage). I hope we get a chance to work on other pieces down the road.
A shout out to A SIMPLE LIFE’s playwright, Lisa Kang, who came out to support and presented us with gifts! I’m looking forward to enjoying these. You rock, Lisa!
If anyone was able to snag a photo of our bows at the end -please send away, I’d love to post it. I only wish I could’ve snagged one with everyone! Oh well, next time, right? Right!
The night ended with a brisk walk from the train station back to my place –the light drizzle reminded me of how magical life is. And how most of that magic comes from sharing stories and time with friends and strangers. And weaved into that magic is the process of creating something out of nothing – Art.
Were you there last night? What did you think of the pieces and overall evening? Feel free to leave me a comment below or Tweet me at Follow @tasialabastro and Follow @06ensemble
- 11th Annual Bay One Acts Festival: punking the theatre in a celebration of new work (theatrestorm.com)
- ‘Aftermath’: Theatre Period debuts with moving exploration of Iraqi war experience (theatrestorm.com)
- New Play Festivals: The Blog Salon (timbauer.wordpress.com)
- Summer 2012: Bay Area theater (mercurynews.com)
- Berkeley Rep presents world premiere of Tony winner Eve Ensler’s ‘Emotional Creature’ (theatrestorm.com)